MEET THE AUTHOR
I started blogging when I was 15 while I was still trying to self-discover, and unless you go back in time, there is not a chance that you will find anything remotely written by a younger version of me. This is the most evolving blog that probably carries the biggest void. I have a background in Public Relations and I have been exploring the field minutely here in the Maldives. I am a walking oxymoron. Despite my background, I am not a digital junkie and there is a sense of empowerment to that. Well at least for me. Some would say, knowing the web and media landscape, I had seen enough. My true calling lies in writing, movie analysis and continuously discovering my own brand whether it be personally or professionally. I could list the awards and the honors I have achieved till date, but I would say that my truest achievement was learning to overcome imposter syndrome and being honestly and genuinely masterful to the art of being 'unanxious'.
WHAT I WISH TO DO FOR MYSELF
To let go and be authentically me. When I am 30, there shall be no regrets.

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THE SHOW THAT CHANGED MY BRAIN CHEMISTRY | LADY TULIP

Hello Dolls & Gents,

Gilmore Girls is a show that should be watched under a special developmental program.” – Rue 2025

It takes a very special and really creative TV show to keep me committed for more than 1 or 2 seasons. Hack even 3 episodes. Gilmore Girls shocked me to my core. I do not regret watching 158 episodes and spending an estimated handful of almost 6,975 something hours watching, and carefully completing each season as it was masterfully or haphazardly produced and streamed for us.

There were several hits and misses throughout 7 seasons. But if I were to sum it up, there was never really an in between. The episodes were either a densely weaved web of inter-connected storylines making me question every emotion, vent I have uttered, thought and decision I have had and made till this point in time, or the filler material made me want to pull all my hair out. Because those scenes may not have resonated with the characteristics of the characters that I saw on screen. 

You ever wish that you could get a sample or a blueprint of how things will pan out in life? Gilmore Girls comes close. No matter the demographic, I believe that Gilmore Girls is a coming-of-age TV show for all girls and women. Because sometimes, you need a lot of visuals to put things to perspective (perhaps it’s the biased visual learner in me saying this), and sometimes, no matter the age, we are stunted, anticipating coming of age until we are ‘ready’. Or better yet, to outgrow a perpetuating phase or era that lacks purpose.

This is not to say that to resonate with the characters, you ought to be living the exact lives of Emily, Lorelai or Rory. But in the human and sociological aspect, this show makes you reflect deeply as a woman paving your way to, in the end, ultimately becoming comfortable with the ‘self’, ‘others’ and ‘you, with others’.

In other words, the show cultivates ‘self-acceptance’ while it kindly addresses the scope of growth you are yet to experience. Which is something I needed, to cancel out failing, unnecessary and inhibiting thoughts that hindered me from seeking and maintaining healthy relationships. This show is a guided canvas (for anyone wishing to learn), to color it in if you will, with your own experiences.  

The premise of the show is that not one daughter (Lorelai, Rory and Lane, excluding Paris), actually fulfilled the aspirations set by their own mothers; following a road map which was pre-planned and laid out for them. Each daughter chose their own path, and guaranteed that their mothers are subjected to horrors beyond their wildest imagination. And the consensus would perhaps be, that it is just a very ‘feminine’ thing.

All protagonists and supporting characters however, remind us that ‘self-prowess’ alone may not be sufficient to navigate our lives. While the characters are busy challenging traditional archetypes, the central theme emphasizes that no matter how great we are, or how big of an ego we armor ourselves with, none of us are ever truly ‘self-made’ (bet Michele would disagree). At some point, we must allow people to ‘follow us, where we lead’. In doing so, we hope to drift through life a little lighter, bury the hatchet and feel the nicotine kick in without a cigarette puff.

Some argue that the show sets un-ideal heteronormative postfeminist ideologies. I disagree. The social commentary on the show affects both ‘the man’ and ‘the woman’, and even depicts how classism affects the quality of life for each character (which for me is very fair). The argument is strengthened further by storylines depicting Lorelai’s available options of numerous financial resources to fall back on (thus invalidating her struggles as a single mom), rendering a very shallow understanding of the overall narrative.

Each Gilmore Girl represents a wave of feminism. They clash with each other because of existing generational gaps and most times, due to lack of maturity. Never due to archetypes set in traditional society. If you feel otherwise, did we watch the same show?

Now how did this TV show change my brain chemistry? Let’s go:

The show makes you comfortable with the actual idea of being a woman. The more modern wave of feminism tries to make the ‘female’ powerful in every sense by competing her with the ‘male’. So, you end up with an unrealistic, oversexualized and even at times an unbearably overzealous character that is just as clueless as the audience questioning her every decision.

Gilmore Girls is very personable, and the female characters do not massively shift their femininity to achieve social cohesion, and embraces certain quirks, certain psychological viscosity that inevitably brings catharsis to us in real life. It makes you question why certain ‘female emotions’ arise and makes you deeply reflect on how you could have approached those situations, or how you could approach similar situations…well, not better, but perhaps more refined, without actually invalidating said ‘female emotions’.

Manifesting’ as a strategy to life. We may not consciously realize it. But most girls can totally understand that ambitious speech very much puts meaningful cognition to gear. The more speech is involved, the more actions we take to actualize or to rebut something. For these characters, ambitious speech takes place in multiple contexts and multiple facets. They are for the most part inter-connected, but the language varies from one context to the other. This is why success is ‘imperative’, and failure is so ‘difficult’. The script is written so beautifully that even 3-5-minute-long interactions between each female character helps to later on develop nuanced plots which renders you satisfied.

Depending on circumstance, it maybe never too late to mend what is broken. Emily was, and will always be my favorite character. Her character arc is the most full-circle thing I have witnessed in this show and in every sense of the way, helps me get a very innate understanding of my own relationship with Fathun. Not to mention, she has the best lines.

Emily pursued a journey that was immensely difficult for her, but she never once gave up on anyone that ‘mattered’, just because the conversation turned sour. She was the accurate relatable overzealous, until her zealous nature became indifferent and she was able to just ‘accept’ things for the way they were.

We see the ‘female ego’ conceptualize many times throughout the show. But the ego is subdued by very admirable counter reactions and female traits, that we can all hope to mirror in our lives. It is difficult to elaborate on the female friendships and why they last long-term in the show. Because in most cases we tend to seek ‘peace’ and set ‘boundaries’.

I’d say that what drives the friendships in the show is deeper than fiction. Perhaps it is the acceptance and understanding of the roles they play in each other’s lives (yes it may be limited to acting. I know.).

There are many positive and negative violations of expectations in the show. But rather than outwardly lingering with the feelings spurred by the negative violations, the ‘best friend’ always takes it upon themselves to manage those feelings. An example would be the episode; ‘Always A Godmother, Never A God’.

This could be interpreted as making massive compromises and enabling toxic traits. But compromises take place on both sides of the friendship in varying contexts. In the end, negative violations have no place for deep rooted anguish, when we hold so much power to ‘let go’ of the ‘negative emotion’ rather than the ‘person’, and it takes a lot of willpower to be able to positively re-frame our own expectations while continuing to achieve cohesion.

This is the pivotal moment in my opinion which cut the pendulum for Rory, and she immediately started flailing waywardly. What did I learn? Even if our children are on the envisioned trajectory, it does not guarantee a failproof success story. It taught me that putting a child on a pedestal comes at a hefty price.

Despite her maturity, Rory could not listen to criticism and cogitate thanks to her upbringing. No, her family is not entirely guilty. Yes, Rory bears some responsibility. But imagine if she focused on the right thing after this single conversation with Huntzberger.

Maybe then, ‘A Year In The Life’ would have been definitely different. Sitting with criticism is very uncomfortable and even draining. But put aside the ego, and that criticism sometimes tend to look a whole lot like, advise.   


Paris is not your traditional role model, but she is definitely the most relatable. If imposter syndrome could be depicted in a scene. It would be this bathroom meltdown scene. Contrary to Paris’ belief, no, the suitcase is not empty. That’s the void she created in the pursuit of perfection. But one thing is for sure, Rory should have definitely taken a page from Paris’ preparedness for the real world.



We are definitely, 100% susceptible to jealousy and envy towards our own children. Don’t fight with me on this. Just close the blog, take a walk.

I will forever admire every single time Lorelai stared glossy-eyed and achingly, watching her own parents outwardly reciprocate love for Rory. Yet she never schemed or sabotaged Rory’s relationship with her grandparents. With such dense pain, one is bound to express how they feel. Hence, I find the times Lorelai constantly nagging to Emily and Richard very natural and relatable.

Not only do we never grow up in the eyes of our parents, but we too, do not want to let go of our inner-child around them.  

He knew this was not true… That’s it. That is my reflection. A father’s unconditional love may not always be how we envision it.  

Sure. I say to myself now and laugh.

Men know other men. If you find that saying oppressive under any circumstance in your life. Let Luke ‘the softy’ elaborate and shed light on a new perspective for you.

The scene after, is the ideal way to argue (as a family unit), if only people acquired the skill to not egotistically walk out.  

Thankyou Michele for teaching me that it is not ‘just a job’.

Shout out to this scene because I will now label an envelope ‘body-shipping cash’.

Mrs.Kim is a G.O.A.T and I will never forget the valuable gaslighting lessons she taught me.

With that, I conclude this post. If you have not watched The Gilmore Girls, please consider watching the show. I would also love to hear your thoughts should you wish to share it with me. It took me almost 1 year to complete the show and surprisingly memories of the show still linger very lucidly and I catch myself reflecting on it every now and then. I have shared some of those thoughts without spoiling the show too much. I hope...

Also, a big thank you to Rue for suggesting that I watch Gilmore Girls and for patiently letting me complete the show.